(Essay) Contemplating How Her Creativity Proceeds by Glenys Livingstone Ph.D.

This essay is an edited excerpt from the conclusion of chapter 5 of the author’s book, PaGaian Cosmology: Re-inventing Earth-based Goddess Religion. It is a chapter on the process of the Wheel of the Year.

for the Northern Hemisphere version: https://pagaian.org/pagaian-wheel-of-the-year/

It seems to me that the main agenda of the Cosmos is ongoing Creativity, “never-ending renewal” it may be termed, and that this is expressed in Earth’s Seasonal Wheel through the transitions of Autumn,Winter, Spring, Summer; and in the ubiquitous process of a Cosmic Triplicity of Space to Be, Urge to Be and this Place of Being, a dynamic that has often been imagined as the Triple Goddess. In the flow of the PaGaian Wheel of the Year, the Seasonal transitions of the Wheel and the Triplicity of the Cosmos come together.

There are two celebrations of the Old One/Crone or the Cosmogenetic quality of autopoiesis creating the Space to Be; and they are Lammas/Late Summer and Samhain/Deep Autumn, which are the meridian points of the two quarters of the waxing dark phase. At Lammas, the first in the dark phase, we may identify with the dark and ancient Wise One – dissolve into Her; at Samhain, we may consciously participate in Her process of the transformation of death/the passing of all. The whole dark part of the cycle is about dissolving/dying/letting go of being – becoming – nurturing it (the midwifing of Lammas/Late Summer), stepping into the power of it (the certain departure of Autumn Equinox/Mabon), the fertility (of Samhain/Deep Autumn), the peaking of it (at Winter Solstice).

 The meridian points of the two quarters of the waxing light phase then are celebrations of the Young One/Virgin or the Cosmogenetic quality of differentiation, the new continually emerging, the Urge to Be; and they are Imbolc/Early Spring and Beltaine/High Spring. At Imbolc, the first in the light phase, we may identify with She who is shining and new – as we take her form; at Beltaine, we may consciously participate in Her process of the dance of life. The whole light part of the cycle is about coming into being: nurturing it (the midwifing of Imbolc/Early Spring), stepping into the power of it (the certain return of Spring Equinox/Eostar), the fertility (of Beltaine/High Spring), the peaking of it (at Summer Solstice).

In the PaGaian wheel of ceremony there are two particular celebrations of the Mother, the Cosmogenetic quality of communion; and they are the Solstices. If one imagines the light part of the cycle as a celebration of the ‘Productions of Time’, and the dark part of the cycle as a celebration of ‘Eternity’, the Solstices then are meeting points, points of interchange, and are celebrations of the communion/relational field of Eternity with the Productions of Time. This is a relationship which does happen in this Place, in this Web. This Place of Being, this Web, is a Communion – it is the Mother; the Solstices mark Her birthings, Her gateways.

The Equinoxes then – both Spring and Autumn – are two celebrations wherein the balance of all three Faces/Creative qualities is particularly present: in the PaGaian wheel, the Equinoxes have been special celebrations of Demeter and Persephone – echoing the ancient tradition of Mother-Daughter Mysteries that celebrate the awesomeness of the continuity of life, its creative tension/balance. Both Equinoxes then are celebrations and contemplations of empowerment through deep Wisdom – one contemplation during the dark phase and one during the light phase. The Autumn Equinox is a descent to Wisdom, the Spring Equinox is an emergence with Wisdom gained. I like to think of the Equinoxes, and of the ancient icons of Demeter and Persephone, as celebrations of the delicate ‘curvature of space-time’, the fertile balance of tensions which enables it all.

Her Creative Place

The Mother aspect then may be understood to be particularly present at four of the Seasonal Moments, which are also regarded traditionally as the Solar festivals; and in this cosmology Sun is felt as Mother. I recognize these four as points of interchange: at Autumn Equinox, Mother is present primarily as Giver – She is letting Persephone go, at Spring Equinox, She is present primarily as Receiver – welcoming the Daughter back, at Winter Solstice the Mother gives birth, creates form, at Summer Solstice, She opens again full of radiance, and disperses form. The Mother is Agent/Actor at the Solstices. She is Participant/Witness at the Equinoxes, where it is then really Persephone who is Agent/Actor, embodying an inseparable Young One and Old One. The Old One is often named as Hecate, who completes the Trio – all seamlessly within each other.

Another possible way to visual it, or to tell the story, is this:

The Mother – Demeter – is always there, at the Centre if you like. Persephone cycles around. She is the Daughter who returns in the Spring as flower, who will become fruit/grain of the Summer, who at Lammas assents to the dissolution – the consumption. At Autumn Equinox She returns to the underworld as seed – Her harvest is rejoiced in, Her loss is grieved, as She becomes Sovereign of the Underworld – Her face changes to the Dark One, Crone (Hecate). As the wheel turns into the light part of the cycle She becomes Young One/Virgin again. Persephone (as Seed) is that part of Demeter that can be all three aspects – can move through the complete cycle. The Mother and Daughter are really One, and embody the immortal process of creation and destruction. Demeter hands Persephone the wheat, the Mystery, and the thread of life is unbroken – it goes on forever. It is immortal, it is eternal.  Even though it is true that all will be lost, and all is lost – Being always arises again: within this field of time there is never-ending renewal, eternity. This is what is revealed in the ubiquitous three faces of the Creative Dynamic/ She of Old, the Triplicity that runs through the Cosmos. The Seed of Life never fades away, She is always present; even though it may not be apparent. As Swimme and Berry note, galactic clouds may drift for eons before undergoing transformation[i], but the fertility/potency seethes there.

She Who Creates the Space to Be, She Who is the Urge to Be, and She Who is this Dynamic Place of Being

As one participates in this year long process of ceremony the complexity of the three aspects does become more apparent. Indeed all three aspects/faces/energies do occur simultaneously – sometimes obviously so, as mentioned, sometimes perceived only at deeper levels; and at deeper levels, one can perceive how the three are features of each other. Usually it is fairly clear that the Virgin and Crone aspects are inseparable, and this is true also of the Cosmogenetic characteristics of differentiation and autopoiesis. For example, differentiation/diversity/uniqueness has been enhanced by the advent of death in the biological story[ii]; and the autopoietic dynamic is ambivalently self and not-self, it is small self who is larger Self at the same time. This inseparability of the new emergent form and the old sentient trans-form is congruent also with the ancient perception that a day begins in the evening before – as the dark space closes round. The severance comes first – is it birth or is it death? It is not always clear where something ends and where it begins. 

There is a symmetry or reciprocity between the polar opposites on the Wheel, some of which I have already noted. One begins to feel these as one’s familiarity with the Metaphor and the celebrations grows. Another relationship I have noticed is the continuity of Samhain-Winter Solstice-Imbolc as the movement through the three faces towards form/syntropy, from Dark One to Birth to Light; and the continuity of Beltaine-Summer Solstice-Lammas as the movement through the three faces towards entropy/dis-order, from Light/Passion of Being to Radiance/Dispersal to Dark. This is a useful contemplation as it teaches how Creativity proceeds. When it is practised as a whole, it becomes a Gestalt, one may begin to know: Her lap is a place of learning.


NOTES:

[i] Brian Swimme and Thomas Berry, The Universe Story, p.152 and 274

[ii] See Elisabet Sahtouris, Earthdance, p.134-135 and Ursula Goodenough, The Sacred Depths of Nature, p.143-149.

REFERENCES:

Livingstone, Glenys. PaGaian Cosmology: Re-inventing Earth-based Goddess Religion. NE: iUniverse, 2005.

Sahtouris, Elisabet. Earthdance: Living Systems in Evolution. Lincoln NE:iUniversity Press, 2000.

Swimme, Brian and Berry, Thomas. The Universe Story: From the Primordial Flaring Forth to the Ecozoic Era. New York: HarperCollins, 1992.


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