The Circle Of Life And The Square of Opposition by Claire Dorey

Art by Claire Dorey

[Author’s Note: Extract from a work in progress on the voice of the colonized, a female perspective on the Roman invasion of Ancient Briton.]

I lie awake and fret when I sleep in the stone walled villa because it is square, a tight box of night terror, shadowy corners, perpendicular walls bearing down. Before the Romans coerced my parents into being quasi-monarchs, we lived in a round house, thatched roof, chinks of sky, breeze blowing through the walls. Squares are a symbol of invasion and occupation. My mother agrees. On dry nights we drag our bedding outside and sleep cocooned by the deep night so, if we need to, we can escape into the undergrowth.

We have named the invaders, who are painfully, brutally, demonically carving up our Motherland, ‘The Squares!’

Phalanx of shields. Cage of oiled knees marching along a straight road. The fast track. Slaves in. Minerals out. Remote emperor’s approval rating soars. A dominator culture with weapons, plumb lines, grids and manuals, plowing through our sacred sites and breeding grounds, a bloodbath for voluptuous Mother Earth. Ours is a landscape inherited from the ancestors, stone circles tracking time, slabs of rock piercing her energy centres.

We think the square is the shape of man’s divorce from nature, the shape of fear based living.

“…. they have protected themselves with helmets and breastplates and [ ] with palisades and walls and trenches to make sure of suffering no harm by an incursion of their enemies. For they are influenced by their fears….”  – Cassius Dio, Roman History. Epitome of Book LXII, Loeb Classical Library.

We avoid walking past their fenced in forts. The soldiers, defensive, yet on the attack, heckle us from the ramparts.

Man as microcosm, centre of the macrocosm, axis of the universe, is building structures in his own image, forgetting that the square fits inside the circle. They think the square is a symbol of man in perfect symmetry and that the human body dictates the dimensions of the universe. Man is seperating from the circle, the yoni, the Tel Mon, the Divine Feminine, the cosmos, the eternal return, the seed and the womb. It’s the ego pulling away from the Anu.

“It is not alone by a circle, that the human body is thus circumscribed, as may be seen by placing it within a square.” – Vitruvius, Book III – De architectura.

Geocentrism. Humanism. Anthropomorphism. All are alien to uterine cultures. Circles and squares are elements in sacred geometry, but the circle is the shape that encompasses all other shapes. The primordial shape of the creatrix, the one that came first, replicates to form the seed of life, the geometry of creation. Circular space is sacred space. The square fits inside the circle.

“The square, a linear construct, is simply a unit,” say the Druid Priestesses, who mastered Pythagorean triples, long before Pythagoras gave these equations their name.

We calculated the world was round thousands of years before Galileo was imprisoned for mentioning it.

Mother Nature whispers the poetic language of least resistance, the path of the river, liberty and life unleashed. Her form appears organic to the observer yet within her there is complex, intelligent geometry. Perhaps Mother Nature is leaving the language of the square to humanity, so man can cost out his units in the format of a page. Mother nature has no need to cost the shapes she builds because wildness is never accountable!

Straight lines and hard edges are the geometry of the coloniser, a capitalist construct, used to compartmentalise and monetarise space and time, a right angled prison of eternal slavery that keeps the cogs of empire turning.

In circles everyone is welcome and it is personal, inclusive. Eyes looking inwards, we catch each other’s gaze. Hands held. An embrace. An unbroken chain. Everyone is invited to speak in a circle. In the square, the shape of hierarchy, man sits in rows, knowing his place, disconnected from the gaze of the community. Eyes down in shame, or focused forward to the top dog, the judge or preacher. In circles, the shape of infinite potential, there are no corners for the Shadow to hide in. The eyes of the community mirror back at you. Portals to inner wisdom and creativity open.

Bad intentions can hide in the murky corners of squares, an ideal format for manipulation, suppression and propaganda, leading to the rigid caging of minds, with the potential for imprisonment. It’s a place for philosophical postulating, with a false sense of intelligence. Aristotle’s Square Of Opposition, which if you ask me is a nonsense, is a diagram of contradictions; a tight box for logic; a recipe for argument; a complex piece of over thinking, elevating bewilderment to an art form; a hare-brained attempt to slot the laws of the universe into a quadrilateral diagram, designed to raise the status of the philosopher! When you put the word SQUARE and OPPOSITION in the same sentence it reeks of ego and combat.

Ancient Greek urban planner Hippodamus was the master of the quadrangle. His city grid system is an alien concept to us because we build our round houses where Mother Earth tells us to, harmonizing with her contours and vibration. We take the path of the serpent, the path of least resistance, meandering to protect the biosphere, avoiding nests and sacred trees, tuning into the Earth’s magnetism, in the same way birds do. Dividing Mother Earth’s sensual curves with meridians and parallels creates boundaries leading to battles for ownership.

We observe cycles: the infinite geometries of the micro and macrocosm; the cycle of life, death and rebirth; the seasons and the motion of the cosmos. Our wide-eyed wisdom is encoded in the advent of dawn, in flower petals, the mathematics of the spiral. The forest and springs are our temples. Nature is our Goddess and the Goddess is the spirit of all nature.

The Roman emperors deify themselves. They build quadrate temples and they force us to worship there. One such temple, built by Emperor Nero, to lionize his uncle Claudius, is causing so much outrage, it will add fuel to our rebellion.

Art by Claire Dorey

References: Vitruvius, Book III – De architectura.

Cassius Dio, Roman History. Epitome of Book LXII, Loeb Classical Library. loebclassics.com

(Meet Mago Contributor) Claire Dorey


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